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The thirteen checks

How we decide

Every verdict on this site comes from the same thirteen checks, set in advance and applied to every book in the same way. Six point to listening and seven point to reading. Here they are, with what makes each one apply.

Listen to it

6 checks

  1. 1Full cast or produced audioA full cast, a separate narrator for each character or viewpoint, or music and sound design.
  2. 2Read by the authorThe author narrates their own memoir. It does not apply when an author reads their own fiction.
  3. 3Single point of view and narratorThe book has one viewpoint, and one narrator reads all of it.
  4. 4Award-winning or praised narrationThe narration of the scored edition has won an award or been praised by a named critic.
  5. 5Unfamiliar names or dialectNames, places or dialect that are easier to take in when spoken.
  6. 6Long bookThe print edition is more than 400 pages long.

Read it

7 checks

  1. 1Jumping timelinesThe story moves between time periods or out of order.
  2. 2Three or more points of view, one narratorThree or more viewpoints, all read by a single narrator.
  3. 3Story depends on images or layoutPictures, documents, message threads or typography carry the plot and audio cannot reproduce them.
  4. 4Many similar-sounding namesMany names that sound alike, shown by listener reviews or a published cast list.
  5. 5Literary or dense proseThe writing is dense or literary, confirmed by a named source.
  6. 6Narration criticisedThe Audible Performance rating is below 4.0 stars from at least 100 ratings, or a named critic criticises the narration itself, not the story.
  7. 7Maps, family trees or footnotesReference extras that help but do not carry the story, and no PDF companion comes with the audiobook.

A check either applies to a book or it does not. Where we could not confirm it from a named source, it does not count.

See how it’s weighted

Same book, different experience

Three popular books where the format makes the difference.

Daisy Jones & The Six by Taylor Jenkins Reid
Daisy Jones & The Six
Read by a full cast of twenty-one
21 actorsOne for each person telling the story
Told as interviewsEvery line is one speaker’s own words, so each gets a voice
Listen100% confidence, clear cut

The audiobook has a full cast of twenty-one, with a different actor for each speaker

Daisy Jones & The Six is written as interviews: every line is a speaker’s name followed by their testimony. On audio, a different actor performs each speaker, so you always know who is talking.

See the full verdict →
Lessons in Chemistry by Bonnie Garmus, on a Kindle
Two clocksIt opens in 1961, drops back to 1952 and returns
Chapter titlesStanding commentary you see in print
Read100% confidence, clear cut

The timeline jumps, and the printed book shows you which year you are in

Lessons in Chemistry opens in November 1961, drops back to January 1952, works forward and returns to 1961. The third-person narration moves between several characters, and from chapter seven the dog is a main perspective, all read by one narrator. In print you can see which of the two years you are in.

See the full verdict →
Demon Copperhead by Barbara Kingsolver
Demon Copperhead
Read by Charlie Thurston
One narratorCharlie Thurston reads the whole novel
Earphones AwardAudioFile’s award for the recording
Listen100% confidence, clear cut

One narrator reads the whole novel, and the recording won an award

Demon Copperhead is told in the first person by Demon himself, and one narrator reads all of it. AudioFile gave Charlie Thurston’s recording an Earphones Award. At 560 pages in hardcover, it is also a long book.

See the full verdict →

Why format matters at all

Most people pick a format by habit. But the same book can be a five-star experience in one format and a slog in the other, and it usually comes down to structure rather than quality. A book that jumps between 1974 and the present day asks you to hold two threads and check back when you lose one. In print you can do that in a second, but on an audiobook it is genuinely difficult. A fast thriller with one narrator, told in order, only needs your attention, and you have attention to spare on a commute or a dog walk.

So the question is not "is this a good book". It is "what is this book asking me to do, and which format makes that easier".

Each of the thirteen checks either applies to a book or it does not, and both sides are counted before any verdict is written. Every verdict also carries a confidence figure: ninety-five and above is clear cut, eighty to ninety-four is clear, sixty-five to seventy-nine is leaning, and anything under sixty-five is a close call. We publish the close ones as close ones.

How the points add up

Each check is worth a fixed number of points. When a check applies to a book, its points go to that side. When it does not apply, or we could not confirm it from a named source, it scores nothing.

Listening checks

CheckPoints
Full cast or produced audio10
Read by the author8
Single point of view and narrator7
Award-winning or praised narration6
Unfamiliar names or dialect3
Long book3
Most a book can score37

Reading checks

CheckPoints
Jumping timelines8
Three or more points of view, one narrator8
Story depends on images or layout9
Many similar-sounding names8
Literary or dense prose7
Narration criticised5
Maps, family trees or footnotes3
Most a book can score48

From points to a verdict

  1. Add up the points of the listening checks that apply, then the points of the reading checks that apply.
  2. Work out the marker: listening points divided by all points, times 100.
  3. A marker of 55 or more is Listen. A marker of 45 or less is Read. Anything in between is Either.
  4. Confidence is 50 plus the distance of the marker from 50. If no check applies, the verdict is Either at 50%. If fewer than 10 points apply in total, confidence is capped at 65%.
ConfidenceWhat we call it
95 to 100%Clear cut
80 to 94%Clear
65 to 79%Leaning
Under 65%Close call

A worked example

A book with a single point of view and narrator (7 points) and award-winning narration (6 points) scores 13 listening points. Jumping timelines (8 points) scores 8 reading points. The marker is 13 divided by 21, which is 62, so the verdict is Listen at 62%, a close call.

Rules we apply

These decide how evidence is read before the points are added up. Any verdict that one of them shapes says so on the page.

When we say "either"

"Either works" is a real verdict. It means the points for each format are close, or nothing we could confirm pushes the book either way. In that case the honest answer is whichever you will actually finish.

What the checks are based on

They reflect what readers and listeners generally find easier to follow in each format. They are not a claim about everyone. Plenty of people follow jumping timelines on audio without any trouble at all, and some readers would rather hear a dense literary novel than work through it in print. Verdicts are rechecked annually, because editions and narrators change.

Want to set your own criteria? The app, coming soon, will let you set your own. Turn off the checks that do not match you and every verdict will adjust accordingly.

Try it on a book you're deciding about

Search a book to see if we have written it up. If we haven't, we'll add it to our list of books to check.

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