The Snow Queen
One storyteller and an Earphones Award reading, with nothing confirmed pointing to print.
- Audiobook
- 1h 20m
- Narrated by
- Katherine Kellgren
- 96 pages
Classics, romances, cosy crime, film favourites and festive fiction, each with a verdict on whether it is better as an audiobook or in print, and why.
Most Christmas books on this site come out as listens, and many of them have one storyteller and one narrator, and the narrator is often someone you will recognise. Hugh Grant reads A Christmas Carol, Dylan Thomas reads his own A Child’s Christmas in Wales, and Stephen Fry reads A Boy Called Christmas. The clearest listens add something beyond a straight reading: a full cast and an original score for The Christmas Pig, a narrator for each story in Let It Snow and music from the film for The Snowman and the Snowdog.
Only a few are better read in print, each for a reason a recording cannot get round: The Christmas Appeal is told entirely in documents, The Nutcracker and the Mouse King moves out of order through a tale within the tale and Nothing Lasts Forever, the novel behind Die Hard, has no audiobook at all. Plenty more are close calls, and every verdict page says what would change the verdict, so you can choose for the way you read.
These are short enough to listen to while wrapping presents or on the drive home. Tap one for its verdict.





Dickens, Andersen, Dylan Thomas and the stories that come round every December.
One storyteller and an Earphones Award reading, with nothing confirmed pointing to print.
One speaker and an author’s reading preserved in the US National Recording Registry point to audio, but the prose is lyrical and dense.
One storyteller and one narrator, with nothing confirmed that points to print.
A long book, 504 pages in print, points to audio. Nothing confirmed points to print: the story runs in order, and the layout and names cause no problems.
A story that moves out of order through a tale within the tale, with nothing confirmed pointing to audio.
A recording with three narrators, music and a named review points to audio, but the handwriting, drawings and a goblin alphabet are only in print.
One narrator and praised narration point to audio, but the story moves between past, present and future.
It has one viewpoint and one narrator, but the story moves between time periods.
Snowy meet-cutes, festive love stories and one very big Christmas shopping list.
A separate narrator for each of the three stories, praised by Kirkus, with nothing confirmed that points to print.
One narrator tells Becky’s first-person story, critics praise the narration and the book is long, with nothing confirmed pointing to print.
One diarist and one narrator, with nothing confirmed that points to print.
One viewpoint and one narrator, with nothing confirmed that points to print.
One protagonist and one narrator point to audio, and nothing confirmed points to print.
The narration is praised and the book is 464 pages, but the story covers a decade told in yearly snapshots.
No criterion could be confirmed on either side, so neither format is favoured.
No criterion could be confirmed on either side, so neither format is favoured.
The books behind the films you watch every December, from Die Hard to The Polar Express.
No audiobook was found on Audible UK or US, so the book is the only way to have it.
A reading with music from the film’s score, and nothing confirmed pointing to print.
A named full cast performs it, and nothing confirmed points to print.
A full cast with a score and a praised recording, and one viewpoint told in order, with nothing confirmed that points to print.
One storyteller and one narrator, with too little confirmed for a stronger verdict.
One storyteller and one narrator on a short comic novel, with nothing confirmed pointing to print.
One storyteller and one narrator, with the paintings the only open question for print.
The book has one rhyming storyteller and one narrator, and Dr. Seuss’s drawings are the case for print.
One narrator and one viewpoint in a short story, with nothing confirmed pointing to print.
Country-house murders, carol-concert killings and mysteries with the tree still up.
One first-person narrator, one reader and critic-praised narration, with nothing confirmed that points to print.
Praised narration by two readers, and nothing confirmed points to print.
The book is told entirely in documents, which the printed book lays out as written, and that points to print. AudioFile’s praise for the four narrators points to audio.
No criterion could be confirmed on either side, so neither format is favoured.
No criterion could be confirmed on either side, so neither format is favoured.
No criterion could be confirmed on either side, so neither format is favoured.
No criterion could be confirmed on either side, so neither format is favoured.
No criterion could be confirmed on either side, so neither format is favoured.
Newer festive favourites, from Discworld’s Hogswatch to the Land of the Lost.
A full-cast production with an original score, and nothing confirmed pointing to print.
An award-winning reading by the author, with original music, points to audio, but the prose is worth slowing down for.
One storyteller and one well-known narrator, with too little confirmed for a stronger call.
A long book favours listening, but too little is confirmed on either side for a stronger call.
A produced recording with Bill Nighy reading the footnotes points to audio, but one narrator reads several storylines.
No criterion could be confirmed on either side, so neither format is favoured.
No Christmas verdicts match that filter yet. New ones are added every day.
Affiliate links. If you buy through one of these we may earn a small commission, at no extra cost to you, and with no influence on any verdict.
On our checks, the clearest Christmas listens are The Snow Queen, Let It Snow, Christmas Shopaholic, The Snowman and the Snowdog, Miracle on 34th Street, Harry Potter and the Philosopher's Stone, Everyone This Christmas Has a Secret and The Christmas Pig, all clear cut for audio, with nothing confirmed pointing to print. The strongest recordings add something beyond a straight reading: a full cast, music, a narrator for each story or narration that critics have praised. Every verdict links to its full breakdown.
Listen, on our checks (62%, close call). Hugh Grant’s reading is the one we score, and it is praised, but the story moves between Christmases past, present and future, which counts towards reading it in print. If you want the story behind the story, The Man Who Invented Christmas tells how Dickens wrote it.
For a quick listen on Christmas Eve: The Snowman and the Snowdog (11 min), How the Grinch Stole Christmas! (12 min), The Gift of the Magi (13 min), The Polar Express (17 min), The Wood at Midwinter (34 min) and A Child’s Christmas in Wales (48 min). Each verdict page gives the speed times too.
Only a few are better read in print, each for a reason a recording cannot get round. Nothing Lasts Forever (100%): no audiobook was found on Audible UK or US, so the book is the only way to have it. The Nutcracker and the Mouse King (65%): a story that moves out of order through a tale within the tale, with nothing confirmed pointing to audio. The Christmas Appeal (60%): the book is told entirely in documents, which the printed book lays out as written, and that points to print. AudioFile’s praise for the four narrators points to audio.
For family car journeys, the full-cast productions work best: The Christmas Pig and Harry Potter and the Philosopher's Stone, each with its own cast and music. For little ones, The Snowman and the Snowdog, How the Grinch Stole Christmas! and The Polar Express each run under 20 minutes, though the picture books are lovely to share in print too. A Boy Called Christmas is read by Stephen Fry.
Plenty, and each book has a verdict: Die Hard comes from Nothing Lasts Forever; Christmas with the Kranks comes from Skipping Christmas; Miracle on 34th Street comes from Valentine Davies’s novella; The Polar Express comes from Chris Van Allsburg’s picture book; How the Grinch Stole Christmas comes from Dr. Seuss’s book; The Man Who Invented Christmas comes from Les Standiford’s history; A Boy Called Christmas comes from Matt Haig’s novel; Carol comes from The Price of Salt by Patricia Highsmith; Little Women comes from Louisa May Alcott’s novel; Bridget Jones’s Diary comes from Helen Fielding’s novel.
Everyone This Christmas Has a Secret (100%) and The Mistletoe Murder (65%) are the clearest listens. The Christmas Appeal is better read in print. A Carol and a Killing, Hercule Poirot’s Christmas, Midwinter Murder, Murder Under the Mistletoe and The Christmas Card Crime come out as either works, so pick the format you enjoy.
Every book is checked against the same thirteen criteria. Six point to listening, such as a full cast or produced audio, or one narrator for a single point of view. Seven point to reading, such as jumping timelines, three or more points of view or a story that depends on images or layout. Each has a weight, and the total sets the verdict. Verdicts are never paid for. See how we decide.
Want verdicts that match how you read? The free app, coming soon, lets you set your own criteria. Get notified →