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Everyone's talking about

The books everyone's talking about, read or listen?

The books in every group chat right now, the big sellers, and which format to pick for each.

The 54, at a glance
9 Read34 Listen11 Either
Listen77% confidence

Sapiens

Yuval Noah Harari

One narrator, one argument in time order and a long book point to audio, but the timeline, maps, photographs and diagrams are only in print.

Audiobook
15h 18m
Narrated by
Derek Perkins
Print
528 pages
Listen70% confidence

Gone Girl

Gillian Flynn

A narrator for each viewpoint, praised narration and a 512-page book pull towards listening; Amy’s dated diary timeline pulls towards reading.

Audiobook
19h 57m
Narrated by
Julia Whelan, Kirby Heyborne
Print
512 pages
Read68% confidence

Circe

Madeline Miller

One first-person narrator pulls towards listening; roughly fifty Greek names, some near-identical, and literary prose pull towards reading.

Audiobook
12h 8m
Narrated by
Perdita Weeks
Print
400 pages
Listen67% confidence

A Man Called Ove

Fredrik Backman

One viewpoint, one narrator and an Earphones Award reading favour audio, along with Swedish names that listeners say audio helps with. Flashbacks woven between present-day chapters favour reading.

Audiobook
9h 13m
Narrated by
J.K. Simmons
Print
295 pages
Either54% confidence

Wild Dark Shore

Charlotte McConaghy

An Audie-finalist recording favours audio and praised literary prose favours print, so the points are close to even.

Audiobook
9h 34m
Performed by
Cooper Mortlock, Katherine Littrell, Saskia Maarleveld, Steve West
Print
320 pages

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About this shelf

This shelf gathers the books people are choosing a format for right now: the new releases, book club picks and screen adaptations in every group chat, and the big sellers that have stayed in the charts for years. Most get a Listen verdict, because most of them tell one story in order with one narrator. 32 of the 49 are listens, 8 are reads and 9 are either, and Eleanor Oliphant, The Midnight Library, Catching Fire, Mockingjay, The Housemaid Is Watching and The Wedding People are all clear cut, at 100%.

The read verdicts go to books with features that work better in print: Lessons in Chemistry’s jumping timelines and three or more viewpoints, Circe’s crowd of similar-sounding Greek names, the timelines or viewpoints of The Housemaid, The Thursday Murder Club and The Seven Husbands of Evelyn Hugo, and We Chase Shadows and A Little Life among the newer titles. The Secret History is Either, at 55%. Dense prose and criticised narration point to reading, and a single narrator points to audio. The Harry Potter books are scored consistently across the series, with a guide that compares the recordings.

New books are scored on the recordings available at launch, which can change: a bonus chapter appears, a US edition adds music, a cast list is published. The dates on each page say when the editions were last checked, and the verdicts here are rechecked when the books move on to the backlist.

Questions about the books everyone is talking about

How does a book get onto this shelf?

Two ways. Big sellers are chosen for sustained sales in the UK or US charts, a publisher’s own sales figures, or years in the top sellers. Newer books are here because they are a release with a UK publicity push, a book club or prize pick, have a film or series coming, or are being requested through the search box on this site. The shelf is curated, not automatic, and every verdict is decided the same way as every other book, on the 13 published criteria.

Which of these books are the best listens?

17 books here score 100% for listening, including Eleanor Oliphant Is Completely Fine, The Midnight Library, Catching Fire, Mockingjay, The Housemaid Is Watching, Sunrise on the Reaping and The Wedding People. None has anything confirmed that points to print, and each verdict page lists the recording features behind the score.

Why is Circe a Read verdict?

Circe has roughly fifty Greek names, and several of them differ by a single sound, so they are hard to tell apart when you hear them. The prose is also dense and literary, which points to reading too. One narrator counts toward audio, but the checks for reading outweigh it, which gives a leaning read verdict at 68%.

Is Gone Girl better as an audiobook?

Listen, on our checks (70%). Julia Whelan reads Amy and Kirby Heyborne reads Nick, so when the story switches between the two timelines, you hear a different narrator. Read it if you want the dated diary headings in front of you.

Why are some new books close calls?

Because the evidence is thin at launch or points both ways. For Murder at the Grand Alpine Hotel, The Love Hypothesis and Hollywood, Ending nothing could be confirmed either way, which leaves each at 50%. Peck & Peck (56%) and The Keeper (63%) are close calls for a different reason: each has points for audio and points for print. Their verdict pages say what would change the verdict.

Do film and TV adaptations change a verdict?

No. The checks are about the book and its recording. Adaptations are noted on the page because people search for them, and release dates are kept current.

Do the Harry Potter verdicts use the Stephen Fry recordings?

No. Every Harry Potter verdict scores the Full-Cast Edition led by Cush Jumbo, the highest-production recording, with Stephen Fry’s and Jim Dale’s readings shown alongside. The series guide compares the three.

Will these verdicts be updated?

Yes. Every page carries the date its editions were last checked, and books on this shelf are rechecked when they move to the backlist or when a new recording appears.

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