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The Thursday Murder Club audiobook vs book: which should you choose?

The book has one hundred and fifteen chapters of about three pages each, and most of them cut away just as something happens.

Read vs Listen·Verdict last reviewed 23 October 2026·6 min read
The Thursday Murder Club by Richard Osman

Short answer: for the The Thursday Murder Club audiobook vs book choice, we say read it on Kindle (57% confidence, close call). Lesley Manville reads the whole novel for Penguin Audio, 12 hours 26 minutes, with a bonus Osman and Keyes conversation at the end. Her award-winning narration favours audio; several viewpoints read by one narrator favour print, which keeps the chapter headings that name whose chapter it is.

The verdict
The same thirteen checks for every bookSix checks point to listening, such as a full cast or produced audio, the author reading their own memoir, or one narrator for a single viewpoint. Seven point to reading, such as jumping timelines, three or more viewpoints, or a story that depends on images or layout. Each check has a weight, and the weighted total sets the verdict. Verdicts are never paid for. See how we decide in full →

Read it on Kindle

Award-winning narration points to audio, but several viewpoints and a diary are all read by one narrator.

Definitely readDefinitely listen
57%
Read
Get it on KindleOur pick · 368 pagesAudiobook12h 26m, read by Lesley Manville

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Confidence 57%, which puts it in the close call band. Bands run from close call at 50 to 64, through leaning at 65 to 79 and clear at 80 to 94, up to clear cut at 95 and above.

The Thursday Murder Club

Richard Osman

Genre
Cosy crime
Published
2020
Length
368 pages
On audio
12 hrs 26 mins
On screen
Netflix film, 2025

Why we reached this verdict

Every book on this site is checked against the same thirteen questions. They are based on research into what most people find easier to follow in each format, not on whether the book is any good.

One criterion points to reading
✓
Three or more points of view, one narratorThe third-person narration rotates between the four club members, police officers and others, with a fifth strand of one character’s first-person diary. Lesley Manville reads all of them.
–
Jumping timelinesThe story is broadly linear and set in the present day. The diary entries run alongside the action.
–
Story depends on images or layoutOnly the chapter headings carry any layout, and no letters, messages or typography carry the plot.
–
Many similar-sounding namesThe four leads (Elizabeth, Joyce, Ibrahim, Ron) are distinct, and a reviewer says Manville captures individual characters well.
–
Literary or dense proseShort chapters, short paragraphs and a conversational register. No named source calls it dense.
–
Narration criticisedAudible listeners rate the performance 4.61 from 8,645 ratings, not below 4.0.
–
Maps, family trees or footnotesNo maps, family trees or footnotes are mentioned, and no PDF companion is listed.
One criterion points to listening
✓
Award-winning or praised narrationIt won the Sounds of Crime Award at CrimeFest 2021 (an audio award), and The Times audiobook review praised it. The AudioFile Earphones Award found is for book 2, The Man Who Died Twice, and is not counted.
–
Full cast or produced audioLesley Manville reads the whole novel on her own. Richard Osman and Marian Keyes appear only in a bonus conversation after the text, and there is no cast, music or sound design.
–
Read by the authorIt is fiction and the author does not read it.
–
Single point of view and narratorThe third-person narration moves between several characters and includes one character’s first-person diary, so it is not a single viewpoint.
–
Unfamiliar names or dialectIt is set in a present-day English retirement village, with nothing unfamiliar in names, places or dialect.
–
Long bookThe UK paperback is 400 pages, which is not more than 400. The hardcover is 368.
How the score adds up
Reading 8 points, listening 6

Listening: award-winning or praised narration (6), 6 points. Reading: three or more points of view, one narrator (8), 8 points. 57% of the confirmed points favour reading, so the verdict is read it on Kindle at 57% confidence (close call).

The recording at a glance

One narratorMulti-voiceFull castDramatised
Narrated by
Lesley Manville, who reads the entire novel
Also credited
Richard Osman and Marian Keyes, for an exclusive bonus conversation at the end. They do not narrate the novel
Length
12 hrs 26 mins on Audible, or about 8 hours 17 minutes at one and a half times speed. Penguin Random House, Apple Books and xigxag say 12 hours 25, and Kobo US says 12 hours 24
Publisher
Penguin Audio, 3 September 2020 in the UK and 22 September 2020 in the US
Recognition
The Times named it Audiobook of the Week and called it the best escapist listen of the year
Series note
Manville reads books one and two. Fiona Shaw reads books three, four and five
Also exists
A separate abridged BBC Radio 4 reading by Haydn Gwynne, broadcast in early 2021

What this book actually is

One hundred and fifteen chapters, split into two parts, across 368 to 400 pages depending on the edition. That works out at about three to three and a half pages a chapter. Reviewers consistently note that chapters end on a cliffhanger and cut to a different strand, a rhythm widely attributed to the author's television background.

The book is written in two styles that run alongside each other. The bulk is third person following several characters, including the four club members and the police officers investigating. Interleaved with it are one member's first-person diary entries. The switch is signposted by the chapter heading, which carries a name: the publisher's own extract opens with a chapter headed 'Joyce' in a first-person diary voice, and follows it with a chapter headed 'PC Donna De Freitas' in third person.

The case for reading it

There is one argument for print, and it is a fair one. The chapter headings tell you whose point of view comes next, and in print you see that before you read the first word. With an ensemble this size, residents and police and suspects together, being able to glance backwards to check who somebody is has real value, and searching back through twelve hours of audio is no substitute. In print you can also see how short the chapters are and where the book divides into two parts. In the audiobook these come across only as brief pauses.

Get the Kindle edition368 pages
Get it on Kindle

The case for listening to it

Lesley Manville reads the whole novel and differentiates the ensemble by accent and age, which does the same job as the chapter headings and does it at the moment you need it. One reviewer credits her range of voices and accents directly. The Times named the recording Audiobook of the Week and called it the best escapist listen of the year, a line quoted on Penguin's own audio campaign page. The structure also suits audio. The hundred and fifteen chapters are designed to cut away just as something happens, which works well for someone listening while walking. The comedy comes at roughly a joke a page, and jokes depend on delivery, which the narrator provides. The audiobook also has extra content: the recording ends with an exclusive conversation between Richard Osman and Marian Keyes that no print edition contains.

The audiobook in detail

Penguin Audio released it on 3 September 2020 in the UK and 22 September in the US. Lesley Manville reads the entire novel; Osman and Keyes are credited for the closing conversation only, which is worth knowing because retailer listings imply otherwise. The run time is 12 hours 26 minutes on Audible, 12 hours 25 on Penguin Random House, Apple Books and xigxag, and 12 hours 24 on Kobo US, which comes to about 8 hours 17 minutes at one and a half times speed whichever figure you take. Two things are easy to buy by accident. There is a separate abridged BBC Radio 4 reading by Haydn Gwynne, broadcast in early 2021, which is a different recording entirely. And Manville reads only the first two books in the series: Fiona Shaw takes over from the third.

Who should ignore this verdict

Audio suits anyone who wants the bonus conversation, because the recording ends with an exclusive conversation between Richard Osman and Marian Keyes that no print edition contains.

Audio suits anyone who listens while walking or doing something else. The 115 short chapters mostly cut away just as something happens, which suits listening, and Lesley Manville tells the ensemble apart by accent and age. The recording won the Sounds of Crime Award at CrimeFest 2021, and The Times named it Audiobook of the Week.

Audio also suits anyone who enjoys hearing comedy performed. There is roughly a joke a page, and jokes depend on delivery, which the narrator provides.

Get The Thursday Murder Club
Both editions, so you can go with the verdict or ignore it entirely.
Our pick

Kindle

  • 368 pages
Get the Kindle edition

Audiobook

  • 12h 26m, or 8h 17m at 1.5x
Listen on Audible
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Questions people ask

Who narrates The Thursday Murder Club audiobook?

Lesley Manville reads the entire novel. Richard Osman and Marian Keyes are also credited, but for an exclusive conversation recorded for the end of the audiobook rather than for narrating any of the book itself.

How long is The Thursday Murder Club audiobook?

12 hours 26 minutes on Audible. Penguin Random House, Apple Books and xigxag say 12 hours 25, and Kobo US says 12 hours 24, for the same recording. That is about 8 hours 17 minutes at one and a half times speed.

Why does the narrator change later in the series?

Lesley Manville reads the first two books, The Thursday Murder Club and The Man Who Died Twice. Fiona Shaw reads the third, fourth and fifth. Listeners discussing the change describe Shaw as acting it more, which places Manville at the more restrained end of the range.

Should I read or listen to The Thursday Murder Club?

Read it on our checks (57% confidence, close call). Several viewpoints read by one narrator are easier with the chapter headings that name them; the award-winning narration is the case for audio.

Do you have to read the books in order?

There are five: The Thursday Murder Club, The Man Who Died Twice, The Bullet That Missed, The Last Devil to Die and The Impossible Fortune. This is the first. If you intend to continue, note that the narrator changes after the second.

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How this verdict was reached

Every book on this site is checked against the same thirteen questions, set in advance and applied identically to every title. They are based on research into what readers and listeners generally find easier to follow in each format, not on personal preference, and they are published in full so you can check the reasoning yourself. Verdicts are never paid for, sponsored or influenced by affiliate partners.

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The Thursday Murder ClubOur pick: read · 57%
AudibleGet it on Kindle